Heed The Warning at Grand Casino
From the merch table to the stage: a battle-of-the-bands night in one film.
Services
Photos, branding, sites, videos, posters. Most bands get them from five different people, so it never looks like the same band. I make all of it, so it all looks like you.
A friend with a camera, a logo from wherever, a site off a template, a poster made the night before. Each is fine alone. Side by side, they don’t look like one band.
So I work in order. First I photograph you, on stage, at your best. Those photos set the look. The look becomes your branding, the branding shapes your site, and every video, poster and print after that is made to match and points fans back to the site.
Have a logo or a site you love? We start with what you have and build from there.
Photos
Photos come first because they decide the look: the color, the light, how dark the room goes. Everything after gets matched to them.
I shoot from the floor and grade every frame by hand, crisp and vivid, with the noise of a dark bar cleaned up. Stage lights in a small room turn faces magenta, and getting a singer back to real skin color is most of the job. It’s also why the photos match the video from the same night.
What you get
Branding
Branding is your look, written down: the logo, the type, the colors, how a title sits on a video. Once it’s set, nobody has to guess at the next poster.
If the look has drifted, or no longer fits the music, I rebrand it. I clean up the logo and put your colors on a color sheet, so the photos, the site and the merch all pull from the same place. Then it goes on everything: the card that opens each reel, the end card, the shirts on the merch table.
What you get
Website
Every reel, poster and post is really saying “go check out this band.” The site is where fans end up, so I build it from the same photos and look: your shows and videos, where to listen and how to reach you, on your own domain.
Every site is hand-built, so it loads fast on a phone in a loud room. New photos and videos go straight onto it. This site is built the same way.
What you get
Media
This is the part most people think of first: live sets, music videos, posters, table cards. I do it last, so it has a look to match and a site to point to.
Every piece has a second job: getting fans from a feed, a wall or a bar table back to you. Posters name the show; table cards carry a QR code.
Your show, filmed where it happens: reels for the feed, and the whole set too.
From the merch table to the stage: a battle-of-the-bands night in one film.
Shades on, both fists on the mic, all blue.
Leather, a flying-V and a whole lot of hair.
Marshall stacks, big hair and phones up.
A white guitar against a wall of green tinsel.
Not a clip: the whole set, first song to last, with the board mix.
Every act gets a reel, shot in one take.
Hardcore at the White Squirrel, up front.
Kolach Fest: one set, twenty-one reels.
Midday sun, a beer garden, five full songs.
Full music videos, made to be watched start to finish.
Silos, a barn and a mosh pit, all in hard black and white.
A packed room, a spiral on the wall, and the band in the thick of it.
“Darling,” lyrics smashed across the screen.
A gold foil room, a cowboy hat on the drums, and a convertible, top down.
A room papered in newspaper, a mask, and a band that won't sit still.
“Electrical,” cut five ways for phones.
A poster for every night.
The photos, the logo, the site, the videos, the posters: I decide how it all looks, and you work with one person to get it right. So wherever a fan finds your band, it’s clearly you, at your best.
You play the show. I capture the wow. More on how it works →
Alex has been our go to videographer since day one. He quickly picked up on our style and perfectly captures it visually. He’s a great communicator and has always delivered on bringing our ideas into reality.
Heed The Warning — Twin Cities
Start with a show date, a release or some photos. We build from there.